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The attractive, assured playing of all four musicians will make Tune for Josia a contender for compact ensemble recording of the 12 months.????Ian Patterson,
He created all of us loosen up in a way we haven't accomplished as a group right before, plus the environment within the studio was noteworthy for lacking almost any strain. I believe that was The key matter Magnus brought to your table - a total openness that made Absolutely everyone really feel like they were being adequate.??
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?�We were thinking about recording with Magnus for really a while,??says Paulsberg. ?�It just took a bit time to arrange. When we did all finally get together, I would never have imagined that it would fit as well as it actually did, musically and socially.
A lot more lately, Using the emergence of a new era of Norwegian musicians aligned With all the electronica motion, the region?�s jazz has, justly or unjustly, obtained a parallel status for getting obsessive about technological innovation and overly self-referential. Significant Saxophone,??is faster, semi-free of charge in framework and introduces touches of atonality. The suggestions of highlife and township jazz which take place later on from the album are also very first listened to below.
Sarah er en allsidig musiker som blant annet har spilt i flere profesjonelle teateroppsetninger på østlandet. Sarah er også aktiv here i musikkmiljøet i Grenland og jobber ofte som arrangør og dirigent for kor og korps.
Using these impressive, varied originals Paulsberg improves her name to be a composer and chief of serious note. The HPC strikes a good balance in between personal and ensemble identity; accordingly, every tune engages from initial note to last.
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Paulsberg and Grönberg?�s solos, taken over Fiske?�s upbeat bass ostinato, have a generally joyful vibe which is enriched instead of diminished by an occasional elegiac quality ??an psychological depth which also characterizes the title monitor.
Hun er en ettertraktet orkestermusiker i Norge og er en av de få som er spesialisert i kontrafagott.
She grew up on a little farm in Rygge, Norway, and commenced taking part in the saxophone when she was sixteen many years old after Listening to Stan Getz and falling totally in love along with his actively playing.}